Thursday, February 25, 2010

Greg Brown

For the poor sops who've never seen him live....


Greg Brown. Can I state loudly enough that good folk music - be it from Ireland or here in the dumb ole USA - really does hit a truthful artistic note? Back "in the day," Greg Brown played weekends in my lowly college town. I'm proud to call him a fellow Iowan. He's also a true baritone. More than a little rare.



http://www.youtube.com/watch?v=ZEhHMW6PPU4

Wednesday, February 24, 2010

Utility is the Point: Condor A350

Motorcycle Classics (www.motorcycleclassics.com)  has a brief, nifty historical piece on the Condor A350, which I've always admired from a pure utilitarian point of view.  Well worth a read.

http://www.motorcycleclassics.com/article.aspx?id=2147485517

Monday, February 22, 2010

....Away

Been out of town and no significant internet connection.  Will be back in the next day or two.  --kev

Tuesday, February 16, 2010

Blakroc

Favorite music duo, The Black Keys, have teamed up with some big names in the hip hop world.

A live sampling of the process:

http://www.youtube.com/watch?v=WKB6hJqGELc&feature=related

Nifty song on the album:

http://www.youtube.com/watch?v=y6rRdWNBo84

Very different from their traditional venue.  Here's a quintessential sample, this, from Rubber Factory:

http://www.youtube.com/watch?v=nVTRGe5IxK8

Monday, February 15, 2010

More Winter Reading: Checkhov's "Gooseberries"


I still remember the first time I chanced across this story as a hapless graduate student (ages ago, now) back at the University of Iowa --one of the best short story's ever written, in my not so humble opinion.  Critics have often stated it is Chekhov's answer to Tolstoy's How Much Land Does a Man Need?, and I'd agree with it at least offering an alternative to that work.  But it's so much more than that:  beautifully written, wonderfully evocative, and ironic in the sense that there is no easy answer to the question, What does it mean to live a meaningful life?


Gooseberries

By Anton Chekhov

From early morning the sky had been overcast with clouds; the day was still, cool, and wearisome, as usual on grey, dull days when the clouds hang low over the fields and it looks like rain, which never comes. Ivan Ivanich, the veterinary surgeon, and Bourkin, the schoolmaster, were tired of walking and the fields seemed endless to them. Far ahead they could just see the windmills of the village of Mirousky, to the right stretched away to disappear behind the village a line of hills, and they knew that it was the bank of the river; meadows, green willows, farmhouses; and from one of the hills there could be seen a field as endless, telegraph-posts, and the train, looking from a distance like a crawling caterpillar, and in clear weather even the town. In the calm weather when all Nature seemed gentle and melancholy, Ivan Ivanich and Bourkin were filled with love for the fields and thought how grand and beautiful the country was.


"Last time, when we stopped in Prokofyi's shed," said Bourkin, "you were going to tell me a story."


"Yes. I wanted to tell you about my brother."


Ivan Ivanich took a deep breath and lighted his pipe before beginning his story, but just then the rain began to fall. And in about five minutes it came pelting down and showed no signs of stopping. Ivan Ivanich stopped and hesitated; the dogs, wet through, stood with their tails between their legs and looked at them mournfully.


"We ought to take shelter," said Bourkin. "Let us go to Aliokhin. It is close by."

"Very well."


They took a short cut over a stubble-field and then bore to the right, until they came to the road. Soon there appeared poplars, a garden, the red roofs of granaries; the river began to glimmer and they came to a wide road with a mill and a white bathing-shed. It was Sophino, where Aliokhin lived.

Entire story is here:  http://www.ibiblio.org/eldritch/ac/gooseb.html

Reader Response: The Most Beautiful Motor in the World

In the Comments section of the above-referenced previous post, noted scholar Frank Blackford holds forth on his take of how the Ducati Roundcase motor was designed/inspired.  I present it here, unedited:

A good friend of mine, Garv Willmerding, of German dissent was actually the person who designed that motor. He was a renowned landscape Artist and some-time organ donor beloved expatriot on the island of Mykynos in the country of Greece. This was in the Mediterranean area of the country, the watery part, the same as Jason plied with his Argonauts. And so, just as Jason quested for the fleece, in far bygone days, Garv Fleeced the locals and tourists alike through his many scams. When he wasn't plundering antiquities from beneath the waves in his deep sea diver suit, he was flying contraband between the islands. That he designed, casted and forged the Ducati's motor was really just a footnote to his middle earth exploits.

According to him, the design of the casings came to him after a brutal weekend of debauchery during his initiation into the cult of Dionysus. As Garv crawled out of the cave where the initiation took place, and vaguely remembered that he had promised to deliver a cask of bathtub Ouzo to a group of Albanian counterfeiters who lived on nearby Noxos. At the time he was flying a vintage 1927 radial-powered Bugatti biplane, the very same plane he learned to wing-walk on in his twenties when he was with Claxton-Guthaben's Pan-European Air Circus on the continent. The Bugatti was wonderful example of Italian style and mechanics, and they were fairly dependable fliers as long as you remember a few basic concepts. For instance, never ever trust Italian-made gauges (most of you Ducati junkies know wherefore I speak...) But Garv was still reeling from the profundities revealed to him in the cave; visions of the Minotaur and the words of the Oracle, and neglected to peek in the plane's gas tank, and of course the results were what one would expect(That Garv managed to grab his chute and get out on the wing is a testament to his cool Teutonic heritage) and as the Bugatti coughed its last, he jumped. He was lucky that he managed to yank the rip cord before his head struck the rudder. 


Now Garv, whether he was flying or helping some rustic chambermaid "make the bed", always wore a WWI horse-hide helmet The story goes that the helmet was a gift from Baron Von Richthofen's widow, the Baroness Von Richthofen, for services rendered to her while on the ill-fated Anglo-Prussian mountaineering expedition up the Matterhorn. (He also claims to have received a fine pair of German riding boots and crop from Von Bismark as thanks for an emergency appendectomy, but I have yet to see them).


Well that horse-hide helmut nearly cost Garv his life and if you see him behind the stick today you'll note that he wears a very modern, crash helmet. But I digress...


The Ducati's design came to him as he regained consciousness. As he was licked awake by a flock of goats, he saw something shiny a few feet away. It turned out to be all that was left of the Biplanes motor - two cylinders to be exact - and he hurriedly sketched what he saw. Upon arriving back on Mykynos, he set the local smith to building a blast furnace and a week later the prototype Ducati motor was born.

Saturday, February 13, 2010

More TE Lawrence: His Brough Superior SS100







A beyond beautiful bike.  One has to wonder if TE would still be alive if the monster had better brakes.  That said....


Brough Superior motorcycles and automobiles were made by George Brough in his Brough Superior works on Haydn Road in Nottingham, England from 1919 to 1940. They were dubbed the "Rolls-Royce of Motorcycles" by H. D. Teague of The Motorcycle newspaper. Approximately 3048 of 19 models were made in 21 years of production. In 2004, approximately 1000 still exist. Lawrence of Arabia owned seven bikes and died from injuries sustained while crashing one.
George Brough was a racer, designer, and showman. All Brough Superior motorcycles were high performance and superior quality. Most of them were custom made to suit the customers needs, and rarely were any two of the same configuration. Each motorcycle was assembled twice. The first assembly was for fitting of all components, then the motorcycle was disassembled and all parts were painted or plated as needed. Then the finished parts were assembled a final time. Every motorcycle was test ridden to make sure that each one performed to the specifications of the particular model. Each motorcycle was personally certified by George Brough. The SS100 model was ridden at 100 miles per hour or over before being delivered to the customer. The SS80 model was ridden at 80 miles per hour or over before being delivered. If any motorcycle failed to meet the specifications, the motorcycle was taken back to the shop and worked upon until it performed to the specifications of the particular model. The fit and finish was comparable to a Rolls-Royce automobile. These were some of the most expensive motorcycles in the world.
Brough Superior motorcycles have always been rare and expensive. They are some of the most desirable antique motorcycles for an enthusiast to collect. Because of their connection with Lawrence of Arabia, their extremely well fit and finish, their reputatation for reliability and winning races, and along with their boast of being the Rolls Royce of Motor Cycles they are one of the most collectible of all the worlds' vehicles. (courtesy: Wikipedia)

America: A Shining City on a Hill











From the NYTs Magazine (linked below). One would just be tempted to laugh, if these plebes weren't "the members of what is the most influential state board of education in the country." To think these whackos are choosing what millions read and study in school.

Don McLeroy, a small, vigorous man with a shiny pate and bristling mustache, proposed amendment after amendment on social issues to the document that teams of professional educators had drawn up over 12 months, in what would have to be described as a single-handed display of archconservative political strong-arming.

McLeroy moved that Margaret Sanger, the birth-control pioneer, be included because she “and her followers promoted eugenics,” that language be inserted about Ronald Reagan’s “leadership in restoring national confidence” following Jimmy Carter’s presidency and that students be instructed to “describe the causes and key organizations and individuals of the conservative resurgence of the 1980s and 1990s, including Phyllis Schlafly, the Contract With America, the Heritage Foundation, the Moral Majority and the National Rifle Association.” The injection of partisan politics into education went so far that at one point another Republican board member burst out in seemingly embarrassed exasperation, “Guys, you’re rewriting history now!” Nevertheless, most of McLeroy’s proposed amendments passed by a show of hands.

Finally, the board considered an amendment to require students to evaluate the contributions of significant Americans. The names proposed included Thurgood Marshall, Billy Graham, Newt Gingrich, William F. Buckley Jr., Hillary Rodham Clinton and Edward Kennedy. All passed muster except Kennedy, who was voted down.


http://www.nytimes.com/2010/02/14/magazine/14texbooks-t.html




Friday, February 12, 2010

Gilbert Garcin: Artiste Photographies

French artist/photographer Gilbert Garcin is now 80 years old. I love his stuff, and can only present a few of his pictures here. I can only say he's worth investigating if you find any of his photographs of interest.

This is from part of his bio:

"Gilbert Garcin spent most of his life managing a lamp factory in France. At 65, he retired and took up a trick photography workshop. For the past ten years he has been creating comical, surrealist photographs which warmly highlight sometimes cold, existential questions. Garcin inhabits this strange world and ponders it together with the viewer; with Garcin, you have a dedicated, but perplexed, guide."

Garcin's photograph, "Chasing Time," is also the pic I've used for my (lack of) Profile on the right side of this blog.











On the Not So Gentle Art of Looking Like an Arse

I posted today on a motorcycle list I'm a member of. I thought I was making a reasoned plea for understanding an element of one of the bikes I own, and provided links I thought helped bolster my points. I wasn't argumentative, thankfully, or contentious, but merely assumed I was making reasonable sense.

Nobody responded.

Later in the day a very kindly soul e-mailed me off-list, informing me I had completely misread the thread --they were indeed talking about something completely different. And sure enough, they were.

A few things. It taught me a lesson on jumping in on something I thought I knew I was talking about, and I didn't have a clue. I hadn't taken time to read the thread properly. That's just lazy on my part. It may be forgivable, but nonetheless carried the stigma of opening one's mouth before knowing what's at issue. Guilty as charged. I say forgivable intentionally because I was indeed being sincere in my response; if one has to err, maybe it's not so bad to err on the side of taking the risk of looking stupid. No outright sin in that. But again, lesson learned.

Perhaps just as important, it was gratifying to know there are good folks out there who aren't out to embarrass publicly. I was given the option - thanks to this good chap's willingness to e-mail me off-list of my error - to retract my mistake myself. That's encouraging and a sign of good will. A big salute in this guy's direction.

But it's all a bit silly, and no big deal. Right. Finally, though, and perhaps this is the point: It will happen here plenty, if this blog continues (a big if!) --lots of mistakes are sure to follow. It's my hope they are tolerated and that what really moves forward are important, entertaining, even enlightening discussions about classic bikes, literature, ideas, whatever spills forth. Doesn't hurt to hope, right?


Thursday, February 11, 2010

1962 Ducati Elite

The Classic Motorcycle had an article on this bike a few months ago (Issue No. 11), entitled, "Elite League." Excellent read by Roy Poynting, photography by Nick Haaskell. Well worth seeking out. In terms of aesthetics and performance, just one gorgeous machine.

Photo: The Art of the Motorcycle (Guggenheim Museum)

More Motorbike Reading....


Time to give Ted Simon's Jupiter's Travels a try. Seems everyone I know who is at least a semi-serious biker has read the thing, some folks multiple times. My past resistance to reading it is that I often find travelogues wearisome, boringly "sequential," and lacking creative inspiration: "I went here, the people were like this, I went there, the people were like that, I then shifted over to this part of the country, and the food tasted like this, and Damn! My bike broke down! and Thank Gawd! The guy who just pulled over happens to have the proper wrench.... " ad infinitum. Oh, and let us not forget the requisite (oft taboo) love interest. Obviously, as a book that's continuously referred to as an inspirational classic, I can expect much more.

Wednesday, February 10, 2010

The Most Beautiful Motor in the World


Here she is. The Ducati bevel roundcase. Now mounted in the frame --soon she will be considered "merely" a part of a whole motorcycle. There are few motors out there, of any time period, in my opinion, that stand out as beautiful and complete all by their lonesome.

Regarding Your Motorbike Choice: Maestro Pirsig Speaks...

"The test of the machine is the satisfaction it gives you. There isn't any other test. If the machine produces tranquility it's right. If it disturbs you it's wrong until either the machine or your mind is changed."

--Zen and the Art of Motorcycle Maintenance

Winter Respite: TE Lawrence's "The Road"

- from Lawrence's book, The Mint, published posthumously in 1955
_________


The extravagance in which my surplus emotion expressed itself lay on the road. So long as roads were tarred blue and straight; not hedged; and empty and dry, so long I was rich.

Nightly I’d run up from the hangar, upon the last stroke of work, spurring my tired feet to be nimble. The very movement refreshed them, after the day-long restraint of service. In five minutes my bed would be down, ready for the night: in four more I was in breeches and puttees, pulling on my gauntlets as I walked over to my bike, which lived in a garage-hut, opposite. Its tyres never wanted air, its engine had a habit of starting at second kick: a good habit, for only by frantic plunges upon the starting pedal could my puny weight force the engine over the seven atmospheres of its compression.

Boanerges’ first glad roar at being alive again nightly jarred the huts of Cadet College into life. ‘There he goes, the noisy bugger,’ someone would say enviously in every flight. It is part of an airman’s profession to be knowing with engines: and a thoroughbred engine is our undying satisfaction. The camp wore the virtue of my Brough like a flower in its cap. Tonight Tug and Dusty came to the step of our hut to see me off. ‘Running down to Smoke, perhaps?’ jeered Dusty; hitting at my regular game of London and back for tea on fine Wednesday afternoons.

Boa is a top-gear machine, as sweet in that as most single-cylinders in middle. I chug lordlily past the guard-room and through the speed limit at no more than sixteen. Round the bend, past the farm, and the way straightens. Now for it. The engine’s final development is fifty-two horse-power. A miracle that all this docile strength waits behind one tiny lever for the pleasure of my hand.

Another bend: and I have the honour of one of England’ straightest and fastest roads. The burble of my exhaust unwound like a long cord behind me. Soon my speed snapped it, and I heard only the cry of the wind which my battering head split and fended aside. The cry rose with my speed to a shriek: while the air’s coldness streamed like two jets of iced water into my dissolving eyes. I screwed them to slits, and focused my sight two hundred yards ahead of me on the empty mosaic of the tar’s gravelled undulations.

Like arrows the tiny flies pricked my cheeks: and sometimes a heavier body, some house-fly or beetle, would crash into face or lips like a spent bullet. A glance at the speedometer: seventy-eight. Boanerges is warming up. I pull the throttle right open, on the top of the slope, and we swoop flying across the dip, and up-down up-down the switchback beyond: the weighty machine launching itself like a projectile with a whirr of wheels into the air at the take-off of each rise, to land lurchingly with such a snatch of the driving chain as jerks my spine like a rictus.

Once we so fled across the evening light, with the yellow sun on my left, when a huge shadow roared just overhead. A Bristol Fighter, from Whitewash Villas, our neighbour aerodrome, was banking sharply round. I checked speed an instant to wave: and the slip-stream of my impetus snapped my arm and elbow astern, like a raised flail. The pilot pointed down the road towards Lincoln. I sat hard in the saddle, folded back my ears and went away after him, like a dog after a hare. Quickly we drew abreast, as the impulse of his dive to my level exhausted itself.

The next mile of road was rough. I braced my feet into the rests, thrust with my arms, and clenched my knees on the tank till its rubber grips goggled under my thighs. Over the first pot-hole Boanerges screamed in surprise, its mud-guard bottoming with a yawp upon the tyre. Through the plunges of the next ten seconds I clung on, wedging my gloved hand in the throttle lever so that no bump should close it and spoil our speed. Then the bicycle wrenched sideways into three long ruts: it swayed dizzily, wagging its tail for thirty awful yards. Out came the clutch, the engine raced freely: Boa checked and straightened his head with a shake, as a Brough should.

The bad ground was passed and on the new road our flight became birdlike. My head was blown out with air so that my ears had failed and we seemed to whirl soundlessly between the sun-gilt stubble fields. I dared, on a rise, to slow imperceptibly and glance sideways into the sky. There the Bif was, two hundred yards and more back. Play with the fellow? Why not? I slowed to ninety: signalled with my hand for him to overtake. Slowed ten more: sat up. Over he rattled. His passenger, a helmeted and goggled grin, hung out of the cock-pit to pass me the ‘Up yer’ Raf randy greeting.

They were hoping I was a flash in the pan, giving them best. Open went my throttle again. Boa crept level, fifty feet below: held them: sailed ahead into the clean and lonely country. An approaching car pulled nearly into its ditch at the sight of our race. The Bif was zooming among the trees and telegraph poles, with my scurrying spot only eighty yards ahead. I gained though, gained steadily: was perhaps five miles an hour the faster. Down went my left hand to give the engine two extra dollops of oil, for fear that something was running hot: but an overhead Jap twin, super-tuned like this one, would carry on to the moon and back, unfaltering.

We drew near the settlement. A long mile before the first houses I closed down and coasted to the cross-roads by the hospital. Bif caught up, banked, climbed and turned for home, waving to me as long as he was in sight. Fourteen miles from camp, we are, here: and fifteen minutes since I left Tug and Dusty at the hut door.

I let in the clutch again, and eased Boanerges down the hill along the tram-lines through the dirty streets and up-hill to the aloof cathedral, where it stood in frigid perfection above the cowering close. No message of mercy in Lincoln. Our God is a jealous God: and man’s very best offering will fall disdainfully short of worthiness, in the sight of Saint Hugh and his angels.

Remigius, earthy old Remigius, looks with more charity on and Boanerges. I stabled the steel magnificence of strength and speed at his west door and went in: to find the organist practising something slow and rhythmical, like a multiplication table in notes on the organ. The fretted, unsatisfying and unsatisfied lace-work of choir screen and spandrels drank in the main sound. Its surplus spilled thoughtfully into my ears.

By then my belly had forgotten its lunch, my eyes smarted and streamed. Out again, to sluice my head under the White Hart’s yard-pump. A cup of real chocolate and a muffin at the teashop: and Boa and I took the Newark road for the last hour of daylight. He ambles at forty-five and when roaring his utmost, surpasses the hundred. A skittish motor-bike with a touch of blood in it is better than all the riding animals on earth, because of its logical extension of our faculties, and the hint, the provocation, to excess conferred by its honeyed untiring smoothness. Because Boa loves me, he gives me five more miles of speed than a stranger would get from him.

At Nottingham I added sausages from my wholesaler to the bacon which I’d bought at Lincoln: bacon so nicely sliced that each rasher meant a penny. The solid pannier-bags behind the saddle took all this and at my next stop a (farm) took also a felt-hammocked box of fifteen eggs. Home by Sleaford, our squalid, purse-proud, local village. Its butcher had six penn’orth of dripping ready for me. For months have I been making my evening round a marketing, twice a week, riding a hundred miles for the joy of it and picking up the best food cheapest, over half the country side.